Richard Chartier (American, b.1971) is a Los Angeles based artist and is considered one of the key figures in the current of reductionist sound known as both “microsound” and Neo-Modernist. Chartier’s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.
Chartier’s critically acclaimed sound works have been published since 1998 on a variety of labels internationally. He has collaborated with noted composer William Basinski, sound artists ELEH, CoH, Robert Curgenven, Taylor Deupree, AGF, Yann Novak, and German electronic music pioneer Asmus Tietchens. In installation form, he has created works with multimedia artists Evelina Domnitch and Dmitry Gelfand, visual artist Linn Meyers, and projected light artist Anthony McCall.
Chartier’s sound works/installations have been presented in galleries and museums internationally and he has performed his work live across Europe, Japan, Australia, and North America at digital art/electronic music festivals and exhibits. In 2000 he formed the recording label LINE and has since curated its continuing documentation of compositional and installation work by international sound artists/composers exploring the aesthetics of contemporary and digital minimalism.